Why did Andy Warhol paint Marilyn Diptych?
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Why did Andy Warhol paint Marilyn Diptych?
By placing Marilyn Monroe’s portraits in the diptych, Warhol was commenting on the saint-like nature that fans assign celebrities, which in turn causes the public to approach celebrities with some sense of holiness and immortality.
Who painted Marilyn Monroe Pop art?
Andy WarholMarilyn Diptych / ArtistAndy Warhol was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. Wikipedia
Why was Marilyn Diptych so important?
Warhol used a publicity photo for her 1953 film Niagara as the source image. The use of two contrasting canvases for Marilyn Diptych illustrates the contrast between the public life of the star, who at the time was one of the most famous women alive, and her private self.
What is the most expensive Marilyn Monroe painting?
Shot Sage Blue Marilyn
Shot Sage Blue Marilyn, a portrait of Marilyn Monroe by Andy Warhol (USA), has sold for $195 million (£158 million; €184 million), becoming the most expensive painting from the 20th century sold at auction. The record-breaking sale kicked off Christie’s Spring Marquee Week on 9 May 2022.
How much are Marilyn Monroe paintings worth?
$195m
An iconic painting of Marilyn Monroe by Andy Warhol has been auctioned for $195m (£158.17m) – making it the most expensive piece of 20th Century art ever sold.
How much did the Marilyn Monroe painting by Andy Warhol sell for?
$195 million
Andy Warhol’s Marilyn Monroe portrait sells for record $195 million. An iconic 1964 silk-screen portrait of Marilyn Monroe by Andy Warhol sold for a little more than $195 million in New York on Monday night, the highest price ever paid for an American artwork at auction.
Why was the Marilyn Diptych made?
When Marilyn Monroe happened to die that month, I got the idea to make screens of her beautiful face the first Marilyns.” Half of the Marilyn diptych was heavily pigmented while the other half was colored in black and white. Overall, the work was a commentary on the relation between Monroe’s life and death.
